High Tech

" Emotional elements of the interior, executed in classical style, the bridge being moved to our childhood and evoke nostalgia, negate the self-centered desire for bursts of expression, as if offering to join the pragmatic world of tradition and heritage of their ancestors. 'Modern'. The successful experiment – so you can say about the product in this group. Here again we note that we are not talking about 'scientific' definition of modernism and of well-established in the philistine idea of the style in interior design. Some contend that Cyrus Massoumi shows great expertise in this. Bold experiment of 'classics': symmetry breaking distortion of proportions, using different materials and shapes. The purpose of 'violations' – to find beauty and uniqueness of these departures from classical precepts.

Functionality is also not important, here reigns elegance and originality. 'High Tech'. Functionality, as the super-goal. Technology – is not a servant of art design, and his muse. Materials, previously had only utilitarian, boring assignment, become a source of inspiration.

Form part of mechanisms by themselves are beautiful and quite naturally, and created a genius designer. 'High Tech' isolated from 'modern' because of the design features, the underlined 'sverhtehnologichnosti'. These often include bus systems, technical and architectural lighting (if it is made utilitarian, 'without nonsense '). Elements of 'high tech' give the interior features typical of the emotional background of our time – the mechanistic, focused and haste. To complete the picture division of styles, you can add ethnic styles, borrowed from the extensive list of those who are better defined precisely in their countries than in the above system. Then we can talk about self 'pseudo-styles': Indian, Chinese, African, and the 'Russian-folk'. Combining them all, manufacturers and vendors often write in directories just 'Ethnic'. In terms of design luminaries, a challenge for systematics is provided by a common direction, as 'floral'. Analysis of several sites of manufacturers and sellers of electrical, showed that approximately half of the supporters 'simplified' system classifies collections 'florist' to modernity, the other half honors them for the classics. It is difficult to give advice – a strong simplification and well-known confusion in the definitions inherent in the system, does not permit within its framework to determine the criteria for 'Florist'. This, to some extent, and 'tradition' and 'experiment'. Most likely, it may be useful following recommendations. If, in addition to 'natural', 'flower' pieces and elements in the design of the lamp has a lot 'Classic' (for example, if the very foundation of the Lamp 'classic' and the ceiling in the form of buds), then look for this lamp soon be available in 'classic'. If, however, and the base, and the lenses, and all parts are in 'Natural' way (trunk, branches, flowers, leaves), the more likely the assignment of the lamp to 'modernity'. LuxZ.ru When quoting, in whole or in part, an indication of the source.